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Schmincke - Ready-to-use watercolour binder, 200 ml, 50 820 037, for easy grinding of reusable watercolours in combination artists pigments. Self-made watercolours.

Price comparison

Size: 6.76 Fl Oz (Pack of 1)

4.06 Fl Oz (Pack of 1)
6.76 Fl Oz (Pack of 1)

Colour: Clear

Schmincke - Ready-to-use oil binder, 200 ml, 50 810 037, for easy grinding of pasty oil colours pure artists pigments, well-balanced, self-made oil colours
Clear
Schmincke - Ready-to-use gouache binder, 200 ml, 50 830 037, for easy grinding of velvet-like watercolours in combination artists pigments. Self-made gouche colours.
Multicolor

Model: 50820037

Schmincke - Ready-to-use oil binder, 200 ml, 50 810 037, for easy grinding of pasty oil colours pure artists pigments, well-balanced, self-made oil colours
50810037
Schmincke - Ready-to-use watercolour binder, 200 ml, 50 820 037, for easy grinding of reusable watercolours in combination artists pigments. Self-made watercolours.
50820037

Product description

  • THE BRAND: Schmincke has been producing the best, finest artists' colors Made in Germany since 1881 and they are available in over 60 countries. The range includes watercolors, acrylics, oil colors, pastels, gouache colors, airbrush colors and much more.
  • Ready-to-use watercolour binder, for easy grinding of reusable watercolours in combination with Schmincke artists pigments. Dilutable with water, dries to a wiping resistant film, but remains water-soluble.
  • Application: Shake well before use. rind a teaspoonful of pigment and a small amount of product with a paint knife on a grinding plate made of glass or a flat glazed tile to a smooth paste. The mixing ratio of binder to pigment very much depends on the type of pigment. Start off with approx. 2 part binder to 1 part pigment (by weight). Depending on the pigment, more binder or more pigment is added to achieve the required consistency.
  • The right proportions have been reached if dried streaks of paint have a smooth surface and do not come off when rubbed with the dry heel of the hand. Depending on the pigment, more binder or more pigment is added to achieve the required consistency. The right proportions have been reached if dried streaks of paint have a smooth surface and do not come off when rubbed with the dry heel of the hand. Mixtures with a "chalky" surface need more binder.
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